The Princeton University Library Chronicle
Index, Volumes I - XXV, 1939 - 1964
Biblia, Volumes I - X, 1930 - 1938
Index to Illustrations
A
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Admiranda Rerum Admirabilium Encomia (Nijmegen, 1677), title-page, XVII: facing p. 44 |
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Ahli of Shirdz, manuscript of Divan, X: facing p. 116 |
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al-Busiri, page from ode in praise of Muhammad, manuscript, 17th cent., III: between pp. 144-145 |
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Alchemy, Ripley scroll of alchemical emblems, XIX: between pp. 156-157 |
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Alciati, Andrea, portrait in Emblemata (Paris, 1584), XVIII:79 |
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Alcuin, manuscript of, initial "A" and "Q," IX: facing p. 66 |
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Alexander Street, in Princeton, photograph, XXV: between pp. 184-185 |
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Almanacs, George's Cambridge Almanach ... for ... 1776, Salem [17751, XX: facing p. 32; The Pennsylvania Town and Countryman's Almanack, 1756, Germantown, C. Sower, relief engraving by Leech, VI: facing p. io6 |
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Americans in Paris, XVII: between pp. 228-229 |
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Anderson, Alexander, engravings, after Bewick, I, 2:32; "Spring," after R. Westall, in Thomson's Seasons (New York, 1817), I, 3: facing p. 12; "The Porter," after Bewick, in Emblems of Mortality (New Haven, 18io), 1, 3: facing p. 12; "Practical Joke," in Stories for You (Boston, 1863), I, 3: facing p. 13; "Tomb of Washington," in Trumbull's Life of Washington (New York, 1829), 1, 3: facing p. 13; after S. Pike, in Barbauld, Lessons for Children (Philadelphia, 1818) , VI:IO7; after John Bewick, in The Looking Glass for the Mind (New YOrk, 1795), Vl:io8; after Eliza Leslie, in Atlantic Tales (Boston, 1833), VI:111; portrait, I, 3:8 |
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Asia, western, seals from, XII: facing pp. 49, 52, 54 |
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Astrology, treatise on, for library of a great-grandson of Saladin, X: facing p. 108 |
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Audubon, John James, drawing, "Redshouldered Hawk" (1809), XV: facing p. 169; drawings, "Le Grimperau" (1805), "Le Wip-poor-Will" (1806), "Striped Ground Squirrel" (1841), "Common Scaup Duck" (ca. 1842), portrait of Benjamin Page (1819), XXI: between pp. 48-49; engraving by Havell after Audubon, "Red-shouldered Hawk" (plate 56), XV: facing p. 176; engraving by Havell after Audubon, "Sea-side Finch" (plate 93), XXI: between pp. 48-49; manuscripts, " Glossy Ibis," "Cat Squirrel," "Soft-haired Squirrel," page from journal (Paris, 1828), XXI: between pp. 48-49; letter to William Bakewell (May 20, 1805), XXIV: between pp. 128129; letters, to Dr. Charles d'Orbigny (April 29, 1807), to John Woodhouse Audubon (28 January 1847), to Mrs. J.J. Audubon (September 3, 1826), XXI: between pp. 48-49; Ornithological Biography (inscribed copy) , XXI: between pp. 48-49; instructions to Havell of March 2, 1831; selfportrait (1826), XXI:39; Audubon's seal, XXI:88; Mill Grove Farm, painting by Thomas Birch, XXI: between pp. 48-49; Minnie's Land, XXI:79; exhibition in Princeton University Library, 1959, photographs, XXI:between pp. 48-49 |
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Bainbridge House, in Princeton, XXV: between pp. 184-185 |
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Baker, William Munford, portrait, X: facing p. 61 |
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Barrie, J. M., Richard Savage, program and p. 1 of prologue, by W. E. Henley, XVII: between pp. 74-75 |
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Bartholornaeus Anglicus, anatomy lesson, De Proprietatibus Rerum [Westminster, ca. 14951, XXIII: facing p. 126 |
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Beardsley, Aubrey, "The Black Cape," XII: facing p. 130; design for front cover of The Yellow Book, Volume III, XII: facing p. 72; lithograph of, by William Rothcnstein, 1897, XII: facing p. 67; photograph inscribed to Henry D. Davray, XVI: between pp. 122-123; photograph of, X: facing p. 82; preliminary sketch of initial letter "S" for Volpone, XVI: between pp. 138-139; self-caricature, XVI:115; signature device of three candles, XVI:113; "Volpone Adoring His Treasure," XII: facing p. 144 |
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Beatty House, in Princeton, XXV: between pp. 184-185 |
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Belcher, Jonathan, mezzotint by John Faber after Richard Phillips, 1734, XIV: facing p. 172; pastel by unidentified English artist, ca. 17451747, XIV: facing p. 169 |
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Bible, The Great Bible, first edition, 1539; sixth edition, 1541; King James Bible, first edition, 1611; Wycliffe Bible, ca. 1410, XXIV: between pp. 16o-161 |
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Biddle, Nicholas, ii)iniattire by Benjamin Trott, IX: facing p. 49 |
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Birch, Thomas, Mill Grove Farm, XXI: between pp. 48-49 |
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Bishop, John Peale, portrait, VII: facing p. 55 |
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Blackburn, Joseph, portrait of Annis Boudinot Stockton, attributed to, VI: between pp. 6-7; portrait of Richard Stockton, attributed to, VI: between pp. 12-13 |
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Blake, William, engraving after painting by John Opie to illustrate "Romeo and Juliet" for "Boydell Shakespeare," 1, 2; facing p. 18; drawings for Milton's Paradise Lost, XI: between pp. 114-115; sketch of Cowper monument attributed to, 1802, XXIV: facing p. 3 |
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Book binding, Armenian silver, dated 1653, VII: facing p. 118; restoration of, VI:201; Victorian, XXIV: pp. 9697 |
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Books of Hours, Arabic printed 1514, IV:6 French, ca. 1425, III: between pp. 144-145; French, ca. 1475, III: between pp. 144-145; French, 15th cent., X: facing p. 103 |
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Boyd, James, portrait, VI: facing p. 55 |
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Bradstreet, Anne, The Tenth Muse (1650), title-page, VII: facing p. 88 |
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Brady, Mathew B., engraving after Brady photograph of William L. Dayton, XX:144-1.15; photograph of Walt Whitman during Civil War, III: facing p. 16 |
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Brevis Relatio (Peking, 1701), leaves 16v-17r, XIX: between pp. 156-157 |
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Broadsides, for New-Jersey College lottery, XV: facing p. 34 and 36; University of Glasgow, 1858, XI: facing p. 157, 162, 164; West Chester and Philadelphia Rail Road (ca. 1848), V: 119 |
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Browne, Sir Thomas, Posthumous Works (London, 1712), original leaf and cancel, XI: facing p. 200 |
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Bude, Guillaume, annotations in his copy of first edition of Homer (Florence, 1488), XVIII: between pp. 89; first page of the Iliad with Bud6 arms and inscription, XVIII: between pp. 4-5 |
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Burgess, Gelett, "The Purple Cow," illustration in The Lark, II:25 |
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Burney, Edward, drawings for Milton's Paradise Lost, XI: between pp. 114-115 |
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Burt, Struthers, photograph by Doris Ulmann, 1929, XIX: between pp. 156-157 |
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Caesar, Julius, miniature in Suetonius, Vitae Duodeciin Caesarum, Kane rriantiscript 44, XIX: between pp. 8-9 |
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Calendar, 15th cent. folding manuscript, XIII: facing p. 164 |
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Caligula, miniature in Suetonius, Vitae Duodecim Caesarum, Kane manuscript 44, XIX: between pp. 8-9 |
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Carroll, Lewis. See Dodgson, Charles Lutwidge |
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Catlin, George, caricatiire of Emperor Napoleon III, 1862, XVII: between pp. 228-229 |
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Ceracchi, Giuseppe, portrait of James Madison, prospectus for a monument, XXIV: between pp. 112-113 |
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Chancellor Green Library, Princeton, XXIV:i82; XXV: between pp. 184185 |
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Chapman, J. G., frontispiece to the Old Testament (1846), XX: between pp. 24-25 |
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Chinese cribbing garment, XX: between pp. 174-175 |
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Chinese print, "Typesetters at Work," in "The Imperial Palace Movable Type Reprint Series" (Peking, 1774-94), XV: facing p. 129 |
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Chinese silk scroll, "Tribute bearers from many nations," artist unknown, ca. 1795, XV: between pp. 192-193 |
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Cleland, T. M., bookplate for Julian Street Library, XXIII:63 |
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Clouwet, Pieter, engraving of Michel de Montaigne in Les Essais (1659), 1, 2: facing p. 129 |
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College of New Jersey, broadsides for New-Jersey College lottery, XV: facing p. 34 and 36; original subscription list for building college, Biblia, IX, 2: between pp. [2-3] |
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Collins, Wilkie, page from manuscript of Poor Miss Finch, XVII: between pp. 74-75 |
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Connett, Eugene V. 3rd, Random Casts (New York, Derrydale Press, 1939), frontispiece and title-page, XVIII: between pp. 12-13 |
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Consecration tablet, 15th cent., VIII: facing p. 64 |
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Cotton, John, book label and inscriptions in copy of Henrich Smet, Prosodia [Frankfurt ?, 1620 ?], XXII:36 |
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Couch, Jonathan, water-color drawing of pilot fish in his "A N-itural History of Cornish Fishes," XX: between pp. 86-87 |
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Couture, Thomas, head of, by William Morris Hunt, XVII: between pp. 228-229 |
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Cowper, William, "The Cast-away," March 20, 1799, XXIV: between pp. 24-25; engraving of, by Francesco Bartolozzi, 1799 (?) after sketch by Lawrence, XX: between pp. 144-145; letter to John Duncombe [?] June 16, 1757, XXIV: facing p. 24; letter to John Newton, April 11, 1799, XXIV: between pp. 24-25; pencil and wash sketch, perhaps by Lawrence, 1793, XX: between pp. 144-145 |
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Coxe, Louis, photograph, XXV: betwcen pp. 20-21 |
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Coypel, Charles Antoine, frontispiece in Houdar de La Motte, Fables Nouvelles (Paris, 1719)V: between pp. 138-139 |
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Cozzens, James Gould, By Love Possessed, corrected typescripts, XIX: between pp. 8-9 |
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Cresswell, Robert, photograph, VII: facing p. 95 |
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Cruikshank, George, "Annual Emigration of Birds," IV: facing p. 62; "The Elves and the Shoemaker," IV:54; "Fagin in Prison," IV: facing p. 58; India paper proof from Bentley's Miscellany, IV: facing p. 64; self-portrait from Twiddle Twaddle, IV: between pp. 50-51 |
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Currier, Nathaniel, "Awful explosion on board the Princeton," lithograph, 1844, 1, 4: facing p. 12 |
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Cushing, Otho, cartoon of Woodrow Wilson, VII: facing p. 7 |
D
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Darley, F. O. C., "Retreat from Manassas," engraving in Robert Tomes, The War With the South, II:108; engraving by H. W. Herrick after Darley in The Big Bear of Arkansas, and Other Sketches (1845), VI: facing p. 107 |
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Dassier, Jean, Milton medal, XXIV: between pp. 168-169 |
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Davidson, Jo, bust of Woodrow Wilson, VII: between pp. 5-7 |
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Davidson, John, Foreword to Fleet Street and Other Poems, manuscript, XIII: facing p. 140; portrait by William Rothetistein, 1894, XIII: facing P- 123; poster issued by the police after disappearance of Davidson, XIII: facing p. 128 |
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Dayton, William L., engraving by J. C. Buttre after photograph by Brady, XX: between pp. 144-145 |
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Dearborn, Nathaniel, wood engraving in Mother Goose's Melodies (Boston, 1835), VI:110 |
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Les Demi-Cabots (Paris, 1896), cover illustration by Henry-Gabriel lbels, XIII: facing p. 196 |
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Derrydale Press, frontispiece and titlepage of Random Casts (New York, Derrydale Press [1939]), by Eugene V. Connett, 3rd, XVIII: between pp. 12-13 |
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Device book. See emblem books |
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Dickens, Charles, broadsides issued by students at University of Glasgow for election of their lord rector in 1858, XI: facing p. 157, 162 and 164; "Forn of Requiring Entry of Proprietorship" for A Christmas Carol, XIX: between pp. 84-85 |
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Dogson, Charles Lutwidge (Lewis Carroll), page from Alice in Swahili (London, 1840), XIII: facing p. 10; "Circular to Stationers," July 31, 1890, addressed to the illustrator E. Gertrude Thompson, XVII: between p. 74-75; Dogson's arguments for and against remodeling "The Chestnuts," XVI: facing p. 1; the Liddell sisters, photograph by Dodgson, XIII: facing p. 1; two of Dodgson's syzygies, XVI: between pp. 8-9; geometrical exercise (1844), VIII: between pp.8-9 |
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Domitian, miniature in Suetonius, Vitae Duodecim Caesarum, Kane manuscript 44, XI: facing p. 42. |
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Doyle, Peter, letter to Walt Whitman, III: facing p. 8 |
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Drumthwacket Lodge, in Princeton. See Thomas Olden House. |
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Dulles, John Foster, portrait by William Draper, XXIII: between pp. 150-151 |
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Durandus, commentary on the Sentences of Peter Lombard, miniature from a manuscript of, 1336, III: between pp. 144-145 |
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Durer, Albrecht; illustration from Vier bucher von menschlicher Proportion (1528), XXIII:78 |
E
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Edison, Thomas A., sketches of phonograph, XXV:224 |
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Edward IV, page from Account Book of the Great Wardrobe, 1478-1479, XXIV: facing p. 169 |
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Edwards, Jonathan, notes for sermons, ca. 1743-1744, XV: facing p. 76; porringer with initials of grandparents, XV: facing p. 48 |
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Ehrhart, S., "Democratic Sanitarium," cartoon of Woodrow Wilson, VII: facing p. 7 |
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Eisenhower, Dwight D., and Robert Goheen approaching Firestone Library, May 15, 1962, XXIII: between pp. 150-151 |
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Elizabeth I, portrait engraved by Crispijn van de Passe in Effigies Regum ac Principum (Cologne, 1598), XIX: between pp. 8-9 |
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Emblem books, Achille Bocchi, Symbolicorum Quaestionum . . . Libri Quinque (Bologna, 1555), XV: facing p. 60; Johan de Brune, Emblemata of Zinne-werck (Amsterdam, 1624), XV: facing p. 60; Device book, manuscript, 16th cent., XVIII: between pp. 214-215; William Holmes and John W. Barber, Religious Emblemes (New Haven, 1847), XV:67; Francis Quarles, Emblems (London, 1684), XV: 65; Nicolas Reusner, Aureolorum Emblematum Liber (Strasbourg, 1587), XVIII: facing p. 82; Georg Stengel, Ova Paschalia (Ingolstadt, 1672), XVIII: facing p. 82; Octavio van Veen, Arnorum Emblemata (Antwerp, 16o8), XV: facing p. 62 |
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Emerson, Ralph Waldo, letter recomiiiending lVhitiTian to Salmon p. Chase, Secietary of the Treasury, 10 Jan. 1863, VII: between pp. 100-101 |
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Faber, John, mezzotint of Jonathan Belcher after Richard Phillips, 1734, XIV: facing p. 172 |
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Fables, Fables d'EsoPe (Paris, 1689), engraving by Gilles Sadeler, V: facing p. 139; Gabriello Faerno, Fabulae Centum (Rome, 1563), V: facing p. 143; S. Lavalette, Fables (Paris, 1847), etching by Grandville, V: facing p. 142; Houdar de La Motte, Fables Nouvelles (Paris, 1719), frontispiece by Coypel, V: facing p. 138; G. M. Verdizotti, Cento Favole Bellissime (Venice, 1661) , V: facing p.144 |
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Faerno, Cabriello, Fabulae Centurn (Rome, 1563), V: facing p. 143 |
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Fairfield, Genevra G., portrait of, XXIII: facing p. 41 |
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Faulkner, Williain, manuscripts and typescripts of As I Lay Dying, The Hamlet, Intruder in the Dust, Sanctuary, The Sound and the Fury, XVIII: between 128-129; manuscripts and typescripts of "Abraham's Children," Absalom, Absalom!, "Apotheosis," "Barn Burning ," "Cathay," "Elmer," "Father Abraham," "Fool About a Horse," poem in The Green Bough, "The Marionettes," Mosquitoes, Pylon, Sanctuary, Sartoris, Soldier's Pay, The Sound and the Fury, "Was," XXI: between pp. 136-137; "Nocturne" (poem in The Ole Miss), XXI: between pp. 136-137; The Town, galley proof, XVIII: between pp. 128-129; speech on receiving Legion of Honor, 1951, XVIII: between pp. i28-i2q; letters to Maurice E. COindreau, 1932, 1937, XVIII: between pp. 128-129; photograph of Faulkner in RAF uniform, XXI:118; Faulkner and William Spratling, drawing by Spratling, 1926, XXI:122 |
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Fenn, Harry, wood engraving by Anthony after Fenn in John Greenleaf Whittier, Ballads of New England (Boston, 1870), VI: facing p. 123 |
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"Fern Hill," Germantown, Philadelphia, photograph, XX: between pp. 134-135 |
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Fevret de Saint-Memin, Charles. See Saint-M6min |
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"Fieidwood" (Guernsey Hall), in Princeton, photograph and drawing for grounds, XXV: facing p. 185; photograph, XX: between pp. 134-135 |
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Fisher, Jonathan, A North West Prospect of Nassau Hall, painting after Dawkins, 1807, VI: facing p. 153; Scripture Animals (Portland, 1834), title page, VI: facing p. 168 |
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Fitzgerald, F. Scott, bookplate of, XXII: 77; corrected typescript of "Babylon Revisited," 1931, XVII: between pp. 228-229; photograph by Carl Van Vechten, 1937, XII: facing p. 167; The Great Gatsby, page of manuscript, XII: facing p. 182; poster for Fitzgerald's Civil War melodrama, XII: facing p. 19o; Scott Fitzgerald in his comedy The Coward, St. Paul, 1913, XVII: between pp. 8-9; Shelley reading list prepared for Sheilah Graham, XXII:58 |
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Flagg, James Montgomery, portrait of Julian Street, XXIII: facing p. 28 |
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Foch, Ferdinand, letter to Arthur Krock on American Expeditionary Forces, Biblia, I, i (supplement) |
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Ford, Ford Madox, letter to Joseph Conrad, IX: facing p. 114; page of manuscript of autobiography, IX: facing p. 108; photograph, IX: facing p. 105; "To Petronella at Sea," from manuscript of New Poems, IX: facing p. 156 |
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Forrester, A. H., letter, July 12, 1837, XXIII: p. 134 |
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Foster, John, woodcut of Richard Mather, XVIII: facing p. 43; "White Hills" map of New England, XIV: facing p. 180 |
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Fouquet, Jean, portrait of Marguerite de Rohan attributed to, III: between pp. 144-145 |
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France, royal arms of, heading a manuscript genealogy of the kings of France, 15th cent., IX: facing p. 216 |
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Freneau, Philip, portrait, engraving in Duyckinck's edition of Freneau's Poems (New York, 1865), II: facing p. 65 |
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Friend, Albert M., Collection of Theatre Drawings, XVIII: between pp. 194-195 and between pp. 198-199 |
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Frossard, Edouard, forgeries, sketches of Talleyrand and Joshua Barney purporting to be by John Trumbull, XXII:54; sketch of Napoleon purporting to be by John Trumbull, XXII:51 |
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Furniss, Harry, self-caricature (1892) , XXIII: 134 |
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Galen, translation by Hunayn ibn-Ishaq, X: facing p. 110 |
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Garmany, Frank C., lines inscribed by Woodrow Wilson in his autograph album, XVII: between pp. 120-121 |
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Garrett, George, photograph by Alice Dunn, XXV: between pp. 20-21; scene from "Garden Spot U.S.A.," XXV: between pp. 20-21 |
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Garrett, Robert, collection of manuscripts, selections from, III: between pp. 144-145, P- 135; IV: facing p. 109 |
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Gerould, James Thayer, photograph, XIV: facing p. 92 |
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Gest, Guion Moore, photograph, XV: facing p. 113 |
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Gest Oriental library, Commander I. V. Gillis supervising packing of books for Gest collection, Peiping, |
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1930, XV: facing p. 120; Shili-kang Tung and Dr. Hu examining volume from Gest library, 1952, XV: facing p. 136; photograph of Guion Moore Gest, founder of library, XV: facing p. 113; fine bindings from Gest library displayed in 1952 Princeton exhibition, XV: facing p. j36; Chinese print, "Typesetters at Work" (Peking, 1774-94), XV: facing p. 129 |
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Gillis, I. V., supervising packing of books for Gest collection, Peiping, 1930, XV: facing p. 120 |
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Glackens, Louis M., "Lion Tamer," cartoon of Woodrow Wilson, VII: facing p. 18 |
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Godwin, Parke, manuscript of "Progress of the 19th Century," XVIII: facing p. 39 |
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Goethe, Johann Wolfgang von, portrait in crayon by Ludwig Sebbers, 1826, IV: facing p. 1 |
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Goheen, Robert, with Dwight D. Eisenhower, j962, XXIII: between pp. 150-151 |
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Gospels, manuscript, 9th cent., iith cent., 13th cent., III: between pp. 144-145 |
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Grandville, jean, etching in S. Lavalette, Fables (Paris, 1847), V: between pp. 142-143 |
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Gray, H. p., illustration for Washington Irving's Sketch Book (New York, 1864), XX: between pp. 24-25 |
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Gray, Thomas, Christmas piece, 1727, XXII: 24 |
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Greece, inscription from Athenian Agora, Biblia, VII, 1 [9] |
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Grilninger, Johann, illustrations of Stultifera Navis (1497), XXIII: between pp. 20-21 |
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Guernsey Hall. See "Fieldwood" |
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Hakluyt, Richard, title-page of Virginia Richly Valized (London, 1609), X: facing p. 6 |
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Hamilton, Sinclair, illustrations from collection of American woodcuts and wood engravings, VI: 106-112, 114, between pp. 122-123; XX: between pp. 8-9, 24-25, 32-33; bookplate for collection by Bruce Rogers, VI:100 |
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Hardy, Thomas, Tess of the D'Urbervilles [London, 1891], bindings, XIX: between pp. 74-75 |
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Harper, George McLean, portrait, XI: facing p. 59 |
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Harvey S. Firestone Memorial Library, X: facing p. 147, facing p. 170 |
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Hay, John, letter to Alexander Gunn, June 24, 1880, XVIII: between pp. 50-51 |
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Hennessy, W. J., illustrations for Alfred Tennyson, Enoch Arden (Boston, 1865), XX: between pp. 24-25 |
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Henry Holt and Company, selection of material from Holt archives, XIII: facing p. 208 |
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Hermits of Mount Calvary, account book for October, 1787, XII: facing p. 28 |
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Herrick, H. W., wood engraving after drawing by F. 0. C. Darley, VI: facing p. 107 |
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Hodge, Charles, letter from Marquis de Lafayette, January 1827, VIII: between pp. 108-109 |
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Hodge, William, photograph of, in Tarkington's play, The Man From Home, XVII: between pp. 16-17 |
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Holbein, Hans, triumphal portal of Erasmus, XXIII: facing p. 80 |
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Hollis, Thomas, devices on Hollis books at Princeton, inscription in John Locke, Two Treatises of Government (London, 1764), XX: between pp. 174-175 |
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Holmes, Theodore, photograph, XXV: between pp. 20-21 |
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Homer, Winslow, "Art Students and Copyists in the Louvre Gallery," 1867, XVII: pp. 228-229; "The Charge of the Light Brigade," 1, i:ig; "For a Wild Holiday," I, 1: 17; illustration for Festival of Song (New York, 1866), XX: between pp. 24-25; "There Sat Huldy All Alone," 1, 1:21; wood engraving by ChadlerDuran after Homer, VI: facing p. 123 |
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Homerus, editio Princeps (Florence, 1488), Bude's copy, XVIII: facing pp. 4, 8 |
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Hoppin, Augustus, wood engraving after Hoppin in R. Fellow, The Game of Croquet; Its Appointment and Laws (New York, 1866), VI: facing p. 122 |
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The Horseinen of the Americas, XIV: facing p. 198 |
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Houckgeest, A. E. van Braam, reception by the Viceroy, Canton, October 13, 1794, engraving in Voyage de I'Ambassade de la Compagnie des Indes Orientales Hollandaises (Philadelphia, 1797), XV: facing p. 184 |
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Howard, J. H., wood engraving by Roberts after Howard in Major Jack Downing's Letters (New York, 1859) , VI: facing p. 123 |
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Hu Shih, examining volume from the Gest library, 1952, XV: facing p. 136 |
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Hugo, Victor, "Un Mot sur Georges [John] Brown," page of manuscript, XIV: facing p. 94 |
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Humplary, Ozias, etching of Samuel Johnson by Mrs. Dawson Turner after Humphry, XXIV: facing p. 37 |
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Hunt, William Morris, head of Thomas Couture, 1848, XVII: between pp. 228-229 |
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Ibels, Henry-Gabriel, illustrations for cover of Les Demi-Cabots (Paris, 1896), XIII: facing p. 196 |
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Ibn-al-Dubaythi, pages of Arabic manuscript on history of Baghdad, XXV: between pp. 150-151 |
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Inner Temple Library after World War 11 bombing, II: facing p. 84 |
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Irving, Washington, manuscript of "Illustration to the Legend of Prince Ahmed," XIV: facing p. 32; illustration by H. p. Gray for Sketch Book (New York, 1864), XX: between pp. 24-25 |
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Ivy Hall, in Princeton, photograph, XX: between pp. 134-135 |
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Janizary, from De Origine Imperii Turcorum (Wittenberg, 1560), XX:200 |
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Jefferson, Thomas, account book, October, 1787, XII: facing p. 28; Portrait by Saint-Memin, XX: between pp. 182-183; letter to Isaac Zane, 8 November 1783, XVI: facing p. 157 |
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Joannes Climacus, Saint, The Heavenly Ladder, manuscript, 11th cent., III: between pp. 144-145 |
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Job, J. G., Anleitung zu denen curiosen Wissenschafften (Frankfurt, 1717), XIX: between pp. 8-9 |
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John, the Evangelist, Initial "A," St. John writing his revelation from the Cantica Canticorum et Apocalipsim ... IX: facing p. 64 |
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Johnson, Samuel, etching by Mrs. Dawson Turner, after Ozias Humphry, XXIV: facing p. 37 |
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Johnston, David Claypoole, wood engraving, in Seba Smith, The Life and Writings of Major Jack Downing (Boston, 1833), VI: 112 |
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Journal of the Proceedings of the Congress . . . September 5, 1774, title page showing "earliest device of the colonies," X: facing p. 120 |
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Juvara, Filippo, drawing of a large hall, XVIII: between pp. 198-199 |
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Kane, Grenville, incunabula froni collection of, XI: facing p. 26; portrait by Frank O. Salisbury, 1929, XI: facing p. 1 |
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Keoktik, chief of the Satik tribe, in James O. Lewis, The Aboriginal Port-Folio (Philadelphia, 1835), XIX: between pp. 156-157; Keoktik's silver peace medal with its deerskin pouch, XIX: between pp. 156-157 |
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Keppler, Joseph, Jr., "Second Yorktown," cartoon of Woodrow Wilson, VII: facing p. 18 |
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Kingsley, Charles, Brave Words for Brave Soldiers and Sailors (1855), IX:44 |
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Kinnell. Galway, photograph by Betty C. Brown, XXV: between pp. 20-21 |
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Kipling, John Lockwood, "Illustration done in the solid" for his son's poem "What the People Said," letter to F. N. Doubleday concerning illustrations for the Outward Bound Edition, 22 January, 1897, sketches made during his son's convalescence, Lakewood, New Jersey, 24 April, 1899, XXII: between pp. 112-113 |
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Kipling, Rudyard, "An Error in the Fourth Dimension," with revisions, 1898; corrected proof of Introduction to Outward Bound Edition, 1896; corrected proof of prospectus to Outward Bound Edition, 1896'XXII: between pp. 112-113 |
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Koran, manuscript, 11th cent., III: between pp. 144-145 |
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Kurdian, H., miniature of St. Luke by Toros Sargavak, 14th cent., from collection of, IV: facing p. 110 |
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La Farge, John, illustration for Alfred Tennyson, Enoch Arden (Boston, 1865), XX: between pp. 8-9 and 2425 |
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Lafayette, Marquis de, letter to Charles Hodge, January 1827, VIII: between pp. 108-109 |
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Lansing, Garret, wood engraving, VI: facing p. 107 |
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Lawrence, Thomas, engraving by Francesco Bartolozzi, 1799 (?) after sketch by Lawrence, XX: between pp. 144-145; pencil and wash sketch, perhaps by Lawrence, 1793, XX: between pp. 144-145 |
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Lee, Robert E., letter to Jefferson Davis, j2 April, 1864, XVI: between pp. 168-169 |
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Leland, Charles Godfrey, "About to move," sketch of corner of his room in Nassau Hall, I, 4:19 |
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Leslie, Captain William, photograph of his gravestone in Pluckemin, New Jersey, churchyard, IX: facing p. 1 |
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Lewes, G. H., letter to John Chapman, February 12, 1859, VIII: facing p. 8; XVII: between pp. 74-75 |
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Library Place, in Princeton, Number 72, XXV: between pp. 184-185 |
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Lincoln, Abraham, speech in Douglas campaign, manuscript, XVI: between pp. 176-177 |
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Lo-ichs, Melchior, at his drawing board, in Konstantinopel unter Sultan Suleiman dem Grossen, XXII:94 |
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Lotteries, for College of New Jersey, broadsides and tickets, XV: pp. 26, 34 and 36 |
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Lowrie House (83 Stockton Street) , in Princeton, photograph, XX: between pp.134-135 |
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Luke, Saint, miniature by Toros Sargavak, ca. 1311, IV: facing p. 110 |
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McCormick, Cyrus H., portrait, X: facing p.1 |
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Maclean, John, letter to William L. Dayton, December 2, 1862, XX: between pp. 144-145; photograph of, I, 4: facing p. 6; student's caricature of, I, 4: p. 9 |
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McLenan, John, wood engraving by D. C. H. after McLenan in Maria Maxwell, Ernest Grey; or The Sins of Society (New York, 1855), VI: facing p. 107 |
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Madison, James, portrait by Giuseppe Ceracchi, XXIV: facing p. 112 |
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Mallarm6, St6phane, letter to Arthur Symons, XX: between pp. 86-87 |
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Maps, Mason and Dixon map (1768), XVI: between pp. 96-97; Ruysch map of the world, in Ptoleiny, Geographia (Rome, 1507), XV: facing p. 102; Strasbourg, Conrad Morant's map (1548) and view in MiInster, Cosmography (Basel, 1574), XXII: facing p. 40; Northwest Passage, map attached to letter from Benjamin Franklin to Dr. Pringle, May 27, 1762, XIX: between pp. 32-33; "White Hills" map of New England in William Hubbard, Narrative (Boston, 1677), XIV: facing p. 180 |
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Masters, Edgar Lee, on the Princeton campus, October 23, 1936, photograph, XIV: facing p. 8; sketch by Ivan Opffer, XIV: facing p. 1 |
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Mather, Richard, woodcut by John Foster, ca. 1670, XVIII: facing p. 43 |
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Matthew, Saint, miniature by Toros Sargavak, ca. 1311, IV: facing p. 109 |
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Maverick, Peter, relief engraving, VI: facing p. 106 |
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"Medary," Fern Rock, Philadelphia, photograph, XX: between pp. 134-135 |
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Melville, Herman, first edition of Moby-Dick, XIII: facing p. 84; Melville's copy of Owen Chase's Narrative, XIII: between pp. So-81; Mobi -Dick 1851-1951, XIII: facing p. 47; modern illustrations for Moby-Dick, XIII: facing p. 108; Ustinov in Louis Coxe's film version of Billy Budd, XXV: between pp. 20-21 |
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Mercer, General Hugh, "Death of General Mercer," sketch for "The Battle of Princeton," by John Trumbull, IX: facing p. 6 |
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Mercer, William, "The Battle of Princeton," Historical Society of Pennsylvania, XIII: facing p. 171 |
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Mercouroff [Merkurov, Sergey Dmitryevich], death mask of Leo Tolstoy, IV: facing p. 90 |
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Meredith, William H., photograph by Daniel A. Lindley, Jr., XXV: facing p. 20 |
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Merwin, William S., photograph by Rollie McKenna, XXV: between pp. 20-21 |
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Miller, Samuel, portrait engraved by John Sartain after John Naegle, XIV: facing p. 70; portrait by Thomas Sully, 1812, XIV: facing p. 55 |
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Milton, John, pastel attributed to William Faithorne, XXIII: facing p. 24, XXIV: between pp. 168-169; "The artist and his son in the presence of Milton," by Jonathan Richardson the Elder; engraving by George Vertue, 1725; Milton as a young man; Milton medal by Jean Dassier, XXIV: between pp. 168-69; title page and frontispiece portrait, Poems (London, 1645), II, 2: p. 49; |
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Miner, Henry C., portrait, XXV:219 |
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Miscellanea Curiosa, title page with signature of John Witherspoon together with "W. Ramsay" and "Ja. Alexander," XI: facing p. 102 |
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Montaigne, Michel de, portrait engraved by Pieter Clouwet in Les Essais (1659), 1, 2: facing p. 11 |
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Morant, Conrad, map of Strasbourg, 1548, XXII: facing p. 40 |
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More, Paul Elmer, photograph by Orren Jack Turner, 1928, XXII: facing p. 164 |
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Morven, Stockton house in Princeton, VI: facing p. i; XXV: between pp. 184-185 |
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Morven Place, in Princeton, number 12, XXV: between pp. 184-185 |
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Milrister, Sebastian, view of Strasbourg in Cosmography (Basel, 1574), XXII: facing p. 40 |
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Music, treatise by al-Farabi, X: facing n. 110 |
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Naegle, John, portrait of Samuel Miller, engraved by John Sartain, XIV: facing p. 70 |
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Napoleon 111, caricature by George Catlin, XVII: between pp. 228-229 |
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Nassau Hall, "About to move," sketch by Charles Godfrey Leland of his room in Nassau Hall, 1, 4:19; "Aula Nassovica," engraving in The New American Magazine (March, 176o), XIV: between pp. 114-115; drawing by Thomas Campbell, class of 1818, XIV: between pp. 114-115; the library in Nassau Hall (1868), photograph, XIV: between pp. 114115; lithograph by J. H. Bufford (New York, 1837), XIV: between pp. 114-115, XXV: between pp. 184-185; "A North West Prospect of Nassaii Hall with a Front View of the President's House in New Jersey," engraving by Dawkins after Tennant (1764), XXV: between pp. 184-185; oil painting by F. Childs (ca. 1859), XIV: between pp. 114-115; painting by Jonathan Fisher (1807) after Dawkins engraving, VI: facing p. 153; photograph (1862), XX: between pp. 134-135; photograph by Orren Jack Turner (1950), XIV: facing p. 115; wood engraving from The Princeton Packet (1786), cover design for Chronicle, V-XXV, Passim |
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Nassau Inn, in Princeton, XXV: between pp. 184-185 |
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Nassau Street, in Princeton, 1880's, XXV: between pp. 184-185 |
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Nast, Thomas, wood engraving after Nast in N. Parker Willis' Sacred Poems (New York, 1860), VI: facing p. 123 |
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Nero, miniature in, Suetonius, Vitae Duodecim Caesarmn, Kane manuscript 44, XIX: between pp. 8-9 |
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Nizarni, Khamsah, miniature in manuscript, 15th cent., III: between pp. 144-145 |
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Noll, Bink, The Center of the Circle, jacket designed by Ronald Clyne, XXV: between pp. 20-21 |
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Northwest Passage, map attached to letter from Franklin to Dr. Pringle, May 27, 1762, XIX: between pp. 32-33 |
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Notman, John, "Fieldwood" (Guernsey Hall) plan of grounds (1846), XXV: facing p. 185; photographs of buildings designed by, XX: between pp. 134-135; Notman's Nassau Hall, oil painting by F. Childs, circa 1859, XIV: between pp. 114-115; plans for "Prospect," 1849, XIV: betweeii pp. 114-115 |
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O'Neill, Eugene, plans for Straw in page from notebook, IV: facing p. 86 |
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Opffer, Iva.i, sketch of Edgar Lee Masters, 1941, XIV: facing p. 1 |
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Osgood, lrene, Where Pharaoh Dreams: Being the Impressions of a Woman of Moods in Egypt, Philadelphia [1914], XIX: between pp. 76-77 |
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Page, Benjainin, portrait of, by J. J. Audubon, 1819, XXI: between pp. 48-49 |
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Parrish, Morris L., photograph, VIII: facing p. 1 |
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Parrish room, in Firestone Library, XVII: between pp. 74-75 |
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Patmore, Peter George, letter from John Scott, XVI: between pp. 16-17 |
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Peale, Charles Willson, portrait of Ceorge Washington, VIII: facing p. 57; XIII: facing p. 172 |
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Peale, James, "The Battle of Princeton," XIII: facing p. 171" "Washington at the Battle of Princeton," XIII: facing p. 172 |
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Peale, Reiiibrandt, portrait of Mary (Field) Stockton, IV: facing p. 113 |
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Philip VI, king of France, genealogy, detail from a 15th cent. manuscript, IX: facing p. 218 |
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Phillips, Richard, mezzotint of Jonathan Belcher, XIV: facing p. 172 |
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Pinkney, William, letter reqiiesting his recall from St. Petersburg, XXII: facing p. 184; page of Southard's letter on William Pinkney, XXTI: facing p. 176 |
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Platzer, Josef, drawing for Mozart's The Magic Flute, XVIII: between pp. 194-195 |
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Poems on Affairs of State, title-page, XXIV: facing p. 113 |
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Pope, Alexander, receipts for Pope's Iliad, XXIV: facing p. 36 |
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Portolano per tuti in nauichanti (Venice, 1490) , X: facing p. 42 |
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Poster, World War L Third Liberty Loan, II:92 |
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Presbyterian, First Church in Princeton, XXV: between pp. 184-185 |
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Pi-inceton, battle of, painting by Williain Mercer, XIII: facing p. 171; painting by James Peale, XIII: facing p. 171; sketches for painting by John Trumbull, IX: facing p. 6, XII: facing pp. 1, 2, 4, XIX: between pp. 156-157; "Washington at the Battle of Princeton" by James Peale and by Charles Willson Peale, XIII: facing p. 172; sketch-plan, XIII:177; view of battleground by Benson J. Lossing, XIII:180 |
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Princeton, buildings. See Alexander Street, Bainbridge House, Beatty House, Chancellor Green Library, Fieldwood (Guernsey Hall) , Harvey S. Firestone Memorial Library, Ivy Hall, Library Place, Lowrie House, Morven, Morven Place, Nassau Hall, Nassau Inn, Nassau Street, Presbyterian First Church, Prospect, Quaker Meeting Hotise, Saint Paul's Church, Thomas Olden House, Washington Arms |
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Princeton, The U. S. S., "The Awful Explosion of the 'Peace-Maker' on Board the Princeton," from a Currier lithograph issued in 1844, 1, 4: facing, p. 12; letter to Captain Stockton mailed from Siain (1845), V: facing p. 14 |
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Princeton poets, publications of, XXV: between pp. 20-21 |
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Princeton, programs for theatricals and other events, Civil War to 1887, IV: 12 |
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"Prospect," in Princeton, watercolor by Maria Templeton, 1797; pencil drawing after 1810, from Templeton watercolor, XXV: between pp. 2o8209; Notman's plans for, XIV: between 114-115; photograph, XX: between pp. 134-135 |
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Psalter, manuscript, 13th cent., III: between pp. 144-145 |
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Pseudo-Bonaventura, Meditationi sopra la Passione [1496], XIV:160 |
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Pucelle, Jean, miniature ascribed to in Durandus, commentary on Peter Lombard, manuscript, 1336, III: between pp. 144-145 |
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Quaker Meeting House, in Princeton, XXV: facing p. 184 |
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Quenedey, Edme, sketch of the physiognotrace, XX: facing p. 183 |
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Reade, Charles, cartoon in The Entr'Acte (October 7, 1882), XIX: between pp. 102-103; notebook for The Cloister and the Hearth, XVI: between PP- 38-39; page from manuscript of A Perilous Secret, XVII: between pp. 74-75 |
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Remington, Frederic, "The Trail of the Shod Horse," 1907, IX:208 |
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Richard II, great seal of, IX: facing p. 76 |
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Richardson, Jonathan, the Elder, "The Artist and his Son in the Presence of Milton," XXIV: between pp. 168169 |
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Ripley, George, scroll of alchemical eiilblems, XIX: between pp. 156-157 |
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Rittcnhouse Orrery, photographs taken March, 1951, XII: facing p. 122 |
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Rogers, Bruce, bookplate for Sinclair Hamilton Collection, Vl:100 |
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Rohan, Marguerite de, portrait, perhaps by jean Fouquet, HI: between pp. 144-145 |
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Rollins, Philip Ashton, portrait by John Young Hunter, IX: facing p. 177 |
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Rothenstein, William, portrait of Aubrey Beardsley, 1897, XII: facing p. 67; portrait of John Davidson, 1894, XIII: facing p. 123 |
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Rowlandson, Thomas, caricatures, "College Refreshment," (1815), II: facing p. 7; "The Pea Cart," II: facing p. io; "The Pavior's joy," II: facing p. 14; "The Dance of Death," II: facing p. 18 |
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Ruskin, John, page from geology notebook, 1, 2: facing p. 1 |
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Sadeler, Gilles, engraving in Fables d'Esope (Paris, 1689), V: facing p.139 |
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Saint-Memin, Charles Fevret de, album of portraits presented to Henri Joliet, XIII: facing pp. 24 and 28; physiognotrace portrait of Jefferson, 1804, XX: between pp. 182-183 |
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Saint Paul's Church, in Princeton, photograph, XXV: between pp. 184-185 |
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Sargavak, Toros, miniatures by, IV: facing p. 109, 110 |
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Sartain, John, engraving of Sainuel Miller after John Naegle, XIV: facing p. 70 |
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Savonarola, Compendio di Revelatione |
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(1495), XIV:159 |
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Sayre, Stephen, portrait, II:51 |
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Schoonover, Frank E., illustration for Tomlinson's In the Hands of the Red Coats, III: facing p. 19; sketch of Canadian Trapper, III: facing p. 24 |
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Schweitzer, Albert, EugMe Munch (Mulhouse, 1898), XIX: between pp. 156-157; program of organ recital given by Schweitzer for benefit of Ogowe Medical Mission, Paris, April 25, 1912, XXI: facing p. 250 |
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Scott, John, letter requesting p. G. Patmore to be his second, XVI: between pp. 16-17 |
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Scott, Sir Walter, Rob Roy, in first edition binding, VIII: facing p. 8 |
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Seals, from ancient western Asia, XII: facing pp. 49, 52 and 54 |
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Sebbers, Ludwig, portrait of Goethe, 1826, IV: facing p. 1 |
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Sharples, James, portrait of Samuel Stanhope Smith, IV: facing p. 125 |
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Sherman, William Tecumseh, letter to Eugene Casserly, February 10, 1868, XVI: facing p. 180 |
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Smith, John, The Generall Historie of Virginia (London, j624), Huth and large paper copies, XI: facing p. 16 |
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Smith, Samuel Stanhope, portrait by James Sharples, IV: facing p. 125 |
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Solomon, initial "O" from manuscript Cantica Canticorum et Apocalipsim . . . IX: facing p. 66 |
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Southard, Samuel L., letter on William Pinkney, XXII: facing p. 176 |
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Sterner, Albert, portrait of Jonathan Sturges, 1912, XV: facing p. 1 |
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Stevenson, Robert Louis, letter to James Henderson, February 3, 1886, XVII: between pp. 74-75 |
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Stockton, Aniiis Boudinot, portrait attributed to Joseph Blackburn, VI: between pp. 6-7 |
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Stockton, Mary (Field) , portrait by Rembrandt Peale, IV: facing p. 113 |
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Stockton, Richard, portrait attributed to Joseph Blackburn, VI: between pp. 12-13 |
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Stockton, Robert Field, commander of U.S.S. Princeton, letter to him mailed from Siam (1845), V: facing p. 14 |
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Stoddard -Edwards porringer, by Edward Winslow, XV: facing p. 48 |
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Strasbourg, map, 1548 by Conrad Morant; view of, Sebastian Munster, Cosmography (Basel, 1574), XXII:40 |
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Street, Julian, portrait by James Montgomery Flagg, 1914, XXIII: facing p. 28; the Julian Street Library, XXIII: facing p. 66; bookplate by T. M. Cleland, XXIII:63 |
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Strother, David Hunter, wood engraving by J. W. Orr after Strother, VI: facing p. 122 |
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Sturges, Jonathan, portrait by Albert Sterner, 1912, XV: facing p. 1 |
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Suetonius, Vitae Duodecim Caesarum, Kane manuscript 44, XI: facing p. 42; XIX: between pp. 8-9 |
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Sully, Thomas, portrait of Samuel Miller, 1812, XIV: facing p. 55 |
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Swan, Abraham, copper engraving of " earliest device of the colonies," in A Collection of Designs in Architecture (Philadelphia, 1775), X: facing p. 122 |
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Swift, Jonathan, death masks of, XVI: 107 |
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Symons, Arthur, photograph, XIV: facing p. 48; letter from St6phane Mallarm6, XX: between pp. 86-87 |
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Tait, Arthur F., wood engraving by N. Orr and Company after Tait, VI: facing p. 122 |
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Tamerlane, miniature, 18th cent., III: between pp. 144-145 |
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Tarkington, Booth, page of manuscript, Seventeen, XVI: between pp. 52-53; page of manuscript, Clarence, XVII: between pp. 24-25; page of manuscript, The Magnificent Ambersons, XVIII: between pp. 58-59; photograph by Nicholson Brothers, XVI: between pp. 84-85; self-caricature, XVI: facing p. 79; William Hodge in Tarkington's The Man From Home, XVII: between pp. 16-17; design for Washington's Birthday program (1893), IX:93 |
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Templeton, Maria, "Prospect," watercolor, 1797, XXV: between pp. 208-209 |
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Tennyson, Alfred, page from Tennyson's copy of The Princess, with his corrections, Biblia, II, 1 (supplement) |
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Terence, "Figura Principalis," Comoediae (Strasbourg, 1496), XXIII: facing p. 21 |
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Thackeray, William M., Jeames's Diary (New York, 1846), XVII: between pp. 74-75; Mrs. Perkins's Ball (1847), The Yellowplush Correspondence (1838) , VIII: between pp. 8-9 |
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Theatre drawings, Albert M. Friend Collection, Josef Platzer, drawing for Mozart's The Magic Flute, XVIII: between pp. 194-195; Filippo Juvara, drawing for large hall, XVIII: between pp. 198-199 |
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Thomas Olden House, in Princeton, photograph, XXV: facing p. 184 |
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Tolstoy, Leo, death mask by Mercouroff, IV: facing p. 90 |
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Torrence, Ridgely, photograph, XII: facing p. 103 |
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Trinity College, Dublin, XIV: facing p. 114 |
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Trollope, Anthony, The Macdermots (1847), first edition, original binding, VIII: between pp. 8-9 |
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Trott, Benjamin, miniature of Nicholas Biddle, IX: facing p. 49 |
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Trumbull, John, "Death of General Mercer," sketches for "The Battle of Princeton," IX: facing p. 6, XII: facing pp. 1, 2, 4, XIX: between pp. 156-157; Place Louis XV, 1786, XVII: between pp. 228-229; forgeries by Edouard Frossard, XXII: facing pp. 51, 54 |
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Tschumi, Otto, illustration for Moby-Dick, XIII: facing p. 108 |
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Tting, Shih-kang, and Dr. Hu cxainining a volume from the Gest library, 1952, XV: facing p. 136 |
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Turner, Mrs. Dawson, etching of Samuel Johnson after Ozias Humphry, XXIV: facing p. 37 |
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Ustinov, Peter, in film version of "Billy Budd," XXV: between pp. 20-21 |
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Vedder, Elihu, illustration for Alfred Tennyson, Enoch Arden (Boston, 1865), XX: between pp. 24-25 |
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Verdizotti, G. M., Cento Favole Bellissime (Venice, 1661) , V:145 |
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Vergil, woodciits from Opera (Strasbourg, Grilninger, 1502), XXI: facing p. j87, between 194-195, XXIII: facing p. 21; woodcut from Aeneid (Frankfurt, 1559), XXI: between 194-195; scene from Aeneid, Limoges enamel (ca. 1525-30), XXI: 194-195; title-page Bucolics (Paris, ca. 1498), VIII: 193 |
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Vertue, George, engraving of John Milton, 1725, XXIV: between pp. 168-169 |
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Victorian book bindings, XXIV: between pp. 96-97 |
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Virginia, title-page of A True Declaration of the Estate of the Colonie in Virginia . . . (1610) , title-page of Hakluyt, Virginia Richly Valued ... (1609), X: facing p. 6 |
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Vizetelly, Henry, Extracts Principally from English Classics (London, 1888), p. [11], XXIII: facing p. 58 |
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Voltaire, Candide, title-page of first edition (1759), fleurons from early editions, XX: between pp. 86-87 |
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Wallace, Horace Binney, title-page of Art, Scenery and Philosophy in Europe (Philadelphia, 1855), title-page of Stanley (Philadelphia, 1838), XXV: between pp. 142-143 |
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War letters, Thirty Years War, War of 1812, V: facing p. 24 |
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Warner, Olin L., "A Casualty of the street fighting during the Commune, Paris, 1871," identification paper as a volunteer in the Legion des Amis de la France, XVII: between pp. 228-229 |
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Washington, George, portrait by Charles Willson Peale, VIII: facing P- 57; "View of the triumphal arch . . . at Trenton . . . . April 2ist, 1789," in The Columbian Magazine (May, 1789), "Washington entering Trenton," in Benson J. Lossing, Washington and the American Republic (i86o) , VII: facing p. 19 |
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Washington Arms, in Princeton, photograph, XXV: between pp. 184-185 |
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West Chester and Philadelphia Rail Road, broadside (ca. 1848), V:iig |
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Whistler, janies McNeill, title-page for "French Set" of his etchings, 1858, XVII: between pp. 228-229 |
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White Hill, Fieldsbotough-on-the- Delaware, home of John Field of New Jersey, IV: between pp. 114-115 |
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Whitman, Walt, caricature, in The Fifth Avenue journal (1872), III: facing p. 1; interior views of Whitman's Camden home, III: facing p. 12; letter from Peter Doyle, III: facing p. 8; manuscripts representing differences in Whitman's handwriting between 1855 and 18go, III: facing p. 4; Whitman during the Civil war, photograph by Mathew Brady, III: facing p. 16 |
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Wightman, Thomas, woodcut in Williain Sheldon, History of the Heathen Gods (ca. 1810), VI:109 |
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Williams, Jesse Lynch, maniiscript of Why Marry?, XXII: facing p. 188 |
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Wilmot, John, Second Earl of Rochester, title-page of Poems on Several Occasions, (Antwerp, 1680), VIII: facing p. 172 |
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Wilson, Gil, illustration for Moby-Dick, XIII: facing p. 108 |
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Wilson, Woodrow, bust by Jo Davidson, VII: between pp. 5-7; corrected typescript of inaugural address (1913), Biblia, I, 2, insert; XVII: facing p. 144; letter to Robert Lansing, November 5, 1916, short-hand draft and typescript, XXIII: between pp. 166-167; license to practice law in the State of Georgia, October ig, 1882, XVII: facing p. 128; lines inscribed in class autograph album of Frank C. Garmany '79, XVII: facing p. 120; photograph of, XII: facing p. 14; political cartoons of, VII: facing p. 7 and p. 18; sesquicentennial orator, 1896, photograph, XVII: facing p. 168 |
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Winslow, Edward, Stoddard-Edwards porringer, XV:48 |
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Witherspoon, John, signature on titlepage of Miscellanea Curiosa, together with "W. Ramsay" and "Ja. Alexander," XI: facing p. 102 |
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Wolgemut, Michael, woodcut, "The Exploits of Samson" in Schatzbehalter (Nuremberg, Anton Koberget, 1491), XVI: between pp. 152-153 |
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Woodlawn. See Fieldwood |
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Woodrow, Harriet Augusta, photograph, XII: facing p. 14 |
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Wright, Joseph, "A Lecture On the Orrery," 1768, VI: facing p. 46 |
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The Yellow Book, volume III, design for front cover by Aubrey Beardsley, XII: facing p. 72 |
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Young, Mahonri, Cafe du Dome, Montparnasse, 1923, XVII: between pp. 228-229 |
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Last Modified: November 08 2002
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