(a) For stealthy ominous scenes, conspiracies, vengeance, threats, approach of assassins, storms, etc. with (b) consequent, murders, wrecks, or breaking of the elements, and general disaster. (c) The aftermath, a dire dismal recollection
On top of Piano acc. and 1st Violin: Note: For grotesque comedy scenes (A) will prove quite available But (B) must not follow it, except the scenes become of the rough house nature. (C) can be played to follow (A) in such scenes.