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Editions of the Greek and Latin classics, published and printed in Venice by Aldo Manuzio (Aldus Manutius) and others from 1490 to 1597.
Princeton has a number of notable Aldines, including copies of the first book using italic (or Aldine) type, the Vergil of 1501; the Hypnerotomachia Poliphili of Francesco Colonna, 1499; the Tragoediae Septem of Sophocles, 1502, (The Hoe Copy); Peloponnesian War of Thucydides, 1502, (The Drury-Syston Park copy, which was mentioned by Dibdin in his Greek and Latin Classics); Pindar, 1513, (The Hoe copy); Tragoediae Sex by Aeschylus, 1518, (The Altemps-Huth copy); and others. All are located in the General Rare Books Collection.
For particulars refer to: Henry Savage, "Sixteenth Century Aldines" in the Princeton University Library Chronicle XI, 1 (Autumn, 1949) p. 49 [full text] ; and Mary Laura Gibbs, "Aldus Manutius as Printer of Illustrated Books" in the Princeton University Library Chronicle XXXVII, 2 (Winter, 1976) p.109 ff. [full text]
Two counterfeit Aldines are recorded under numbers 31 and 44 in the Weber catalog for the Library's Vergil collection. Weber catalog is available online.
For a list of Aldines in the Library see the Collections File under Aldines. The list was compiled by Craig Kallendorf during his research at the Library in 1996.
Research Tools for Printed Material (Books, Maps, Prints, etc.)
In March 2009, with substantial funds provided by the Friends of the Princeton University Library, supplemented with money from Rare Books, the Historic Maps Collection acquired a copy of Belgian cartographer Philippe Vandermaelen’s Atlas universel, consisting of approximately 380 conically projected sheets of maps and 40 pages of statistical tables in six volumes. This folio-size atlas is remarkable for several reasons. It is the first atlas produced by the then new printing process of lithography. It is also the first atlas to show the whole world in maps using a large uniform scale—about 26 miles to the inch. Moreover, the maps are designed to be joined into a three-dimensional terrestrial globe with a diameter of approximately 7.75 meters (almost 25 feet). The library's Digital Studio joined in our project to digitize the sheets so that they could be made available, in high resolution, over the web. In addition, because of the projection of the maps, we felt that stitching the continental maps together and wrapping their "skin" over a generic globe would provide a unique viewing experience--creating a virtual 3D version of Vandermaelen's physical globe. This was achieved by the library's GIS librarian, with some help from the university's Media Center.
See entrys in thie guide for the following:
ENGLISH BOOKS, EARLY PRINTED, 1475-1700
ENGLISH BOOKS -- The Princeton One Hundred Great English Books
ENGLISH CIVILIZATION OF THE LATTER SEVENTEENTH CENTURY
ENGLISH LITERATURE AND HISTORY -- EIGHTEENTH CENTURY
ENGLISH LITERATURE OF THE NINETEENTH CENTURY See: VICTORIAN POETS, VICTORIAN NOVELISTS as well as many relevant author entries in this Guide
ENGLISH LITERATURE OF THE 1890'S
ENGLISH LITERATURE OF THE TWENTIETH CENTURY See: EDWARDIAN NOVELS, BEACH, SYLVIA (1887-1962), and many relevant author entries in this Guide
Dwight D. Eisenhower Administration Photographs
George W. Ball Papers
John Foster Dulles Papers
Chalmers Benedict Wood Papers
Development and Resources Corporation
William E. Colby Papers
George McGovern Papers
William P. Bundy Papers
Arthur F. Rall Papers
The collection consists of miscellaneous screenplays and related materials, such as continuity, superimposed versions (i.e. script translations), release dialogue scripts, and revisions/drafts. There are also a few information packets--these include interviews with and/or biographies of stars, synopses, and various and sundry other materials meant for release. Studios represented include 20th Century Fox, United Artists, Warner Brothers, MGM, Universal Studios, Paramount Pictures, Columbia Pictures, and Walt Disney. Film titles of note include "Barbarella," "Buck Rogers," "Butch Cassidy and the Sundance Kid," "Casablanca," "Chinatown," "Cinderella," "Citizen Kane," "A Clockwork Orange," "Doctor Zhivago," "Flashdance," "Goldfinger," "Superman," "Taming of the Shrew," "The Ten Commandments," "2001: A Space Odyssey, and "Wait Until Dark."
The collection consists of manuscripts, correspondence, miscellaneous notes andrelated material, documents, pictures, clippings, and photographs of ZeldaFitzgerald. Included are the typescript, set for printer, of Save Me the Waltz (New York: Charles Scribner's Sons,1932), manuscripts (mostly typescripts) of short stories, articles, and her play Scandalabra , and tear sheets of some of herpublished articles and stories: "Big Top," "Caesar's Things," "Choreography ofan Idea," "Janno and Jacob," "Other Names for Roses," "Show Mr. and Mrs. F. toNumber...," and "Unembellished." Also present is a portrait drawing by Zelda ofher husband, F. Scott Fitzgerald, and several other drawings. There are lettersto her daughter, Frances Scott Fitzgerald (married name, Scottie FitzgeraldSmith), correspondence with other people, such as Ludlow Fowler, Charles Kalman,Margaret Turnbull, George Nathan, and others, and correspondence between variousfamily members. Correspondence between Zelda and F. Scott Fitzgerald is gatheredin his Papers (C0187). Additions to her papers consist of a family scrapbook of photographs, clippingsand memorabilia, dating from Zelda's childhood to 1927, and an album, compiledby Eleanor Lanahan in 1997, entitled Zelda by Herself, The Art of Zelda Sayre Fitzgerald , which contains a 45-page catalogand 235 color slides of all of the known art works of Zelda Fitzgerald and theirvarious locations. A later addition includes a jacket worn by Zelda, aphotograph of Zelda, Lane Montgomery's notes about Zelda from her writings, andher correspondence with Scottie Fitzgerald Smith (daughter of Zelda and F. ScottFitzgerald) and others about Zelda and William Luce's play Zelda (1984) in which Ms. Montgomery collaborated and performed.
The collection consists primarily of original letters and manuscripts of WilliamMichael Rossetti, one of the Pre-Raphaelite "brothers." Rossetti'scorrespondents include Charles Aldrich, William M. Colles, E. H. Leggatt,Everard Meynell, David M. Main, Frederick Locker, Ford Madox Ford, TheodoreWatts-Dunton, Walter Severn, Octavia Susman, and others. The manuscripts includean introduction to Miscellaneous Essays, Sketches, and Reviews, a volume of William Makepeace Thackeray's works; two undatedessays attributed to Rossetti entitled "Flowers in Ancient Egypt" and "TheGardens of Ancient Egypt;" a prefatory note to Charles Dicken's Pictures from Italy; and a biographical sketch ofFord Madox Brown. Also present are three photographs of Rossetti and familymembers, and a small selection of miscellanea, including an article on Italianhistory and the politics of the Papacy by Rossetti's father, GabrieleRossetti.The following standard abbreviations, or their variations, are used to identifymaterials in this collection: ALS = autograph letter signed, ACS = autographcard signed, ANS = autograph note signed, AMs = autograph manuscript, and TMs =typed manuscript.
The collection consists of miscellaneous papers of Magie: records and reportcards from the College of New Jersey (now Princeton University), school recordsfrom Friedrich-Wilhelms-Universität in Berlin, manuscripts of some of hisaddresses, a manuscript of the "Account of the process of making the Ph.D. atBerlin, 1885," and selected correspondence. The records from the College of NewJersey include an entrance exam schedule, Magie's letter of admission (1875),and his award certificate (1878) for the Dickinson Prize. There are sixautograph (and one typewritten) addresses on various scientific topics given atconferences and club meetings. The records from Friedrich-Wilhelms-UniversitätBerlin include a registration form, a student ID card, a receipt, a studentmanual (1882), three lists of classes, a record of courses taken, his Ph.D.degree (1884), and a printed copy of his dissertation (1885). The correspondenceincludes three letters (1882) to Magie's mother and father from Princeton, and aletter and two photographs from Frederick S. Osborne to Edward Steese, datedJuly 2, 1945, regarding the Magie grave tablet. In addition, there is shortdocument about physics signed by Hermann von Helmholtz, Magie's German mentor.