You are here

Architectural Books

The architectural holdings of the Library are rich and varied. Modern materials, of course, are to be found in the Urban and Environmental Studies Library in the Architecture Building here on campus. Historical items are found among the many books of Marquand and Firestone Libraries as well as among the manuscript holdings of Archives and the Manuscripts Division.

  • There is a large collection of early printed architectural books in the Marquand Art Library's Rare Books department. Starting with early editions of Vitruvius, Grapaldi, and Alberti, the collection includes nearly 400 volumes published between 1485 and 1825 mainly in Italy, France, and England. There are also a few books on architecture printed in Spain, Germany, and the Low Countries. Essentially, the collection is a strong gathering of the fundamental books needed to form a basic library of historical architectural books of Western Europe. Some of the authors encountered, in addition to those mentioned above, include: Blondel, Delorme, Furtenbach, Halfpenny, Langley, Pain (William), Palladio (Andrea) (about 10 editions), Scamozzi, Serlio, and Vignola. Special clusters of choice books not to be overlooked in the collection are the 18th century English architectural books as well as the late 18th and early 19th century English architectural books on villas, rustic, and country houses.

    In Winter 1985, an exhibition of books, prints, manuscripts and drawings was held in the Gould Exhibition Gallery at Firestone Library. With only one or two exceptions, the printed books came from the Rare Book Collection at Marquand Art Library in McCormick Hall. The drawings were chiefly from the Manuscripts Division of the Department of Special Collections.

    The books illustrated the so-called classical tradition in architecture, a system based on the high-style building forms of ancient Greece and Rome. In those countries which adopted classical forms, such as England, France, Spain, Germany, and the Low Countries, this system stands in direct contrast to the vernacular tradition. Books published in these countries during the sixteenth, seventeenth and eighteenth centuries detail the classical tradition, aided the process of educating men in its theories, and thereby spread the rejection of vernacular traditions.

    The exhibition began with editions of Vitruvius, the first century Roman architect whose work is the only such kind to come down to us today. He inspired many great architects of the Renaissance, including Alberti, Bramante, Palladio, and Michelangelo. During the Renaissance, his writings were issued in lavishly illustrated editions and shown were that of Venice, 1511 (also the first illustrated architectural book to be published in Europe) and Como, 1511 (also showing cuts of the Milan cathedral, the earliest illustrations of Gothic architecture published in Europe) as well as several early translations. Following Vitruvius came editions of works by Grapaldi, Vignola, Alberti, Serlio, and Palladio, all illustrating the spread and development of the theories of classical architecture in sixteenth century Italy.

    Following the section on these Italian masters came a series of displays covering the theorists of the classical tradition in seventeenth century France and eighteenth century England. In the French section were shown the large and grandly illustrated editions of Philibert de l'Orme, Jacques Androuet du Cerceau, François Blondel, and Roland Fréart, Sieur de Chambray. For England, on display were books with designs by Colen Campbell, Inigo Jones, Isaac Ware, and William Kent. Also shown were numerous handbooks by Batty Langley, the form of which was the progenitor of early American architectural books.

    Most of the drawings were first gathered as part of the Archives of American Architecture, a collecting program of the Library directed by head librarian Julian Boyd during the 1940's. Many are in the Beaux Arts tradition and include works by Pennington Satterthwaite (Class of 1893) and designs by Robert W. Gibson (1854-1927) for the 1903 New York Stock Exchange competition. Also shown were plates from Frank Lloyd Wright's "Wasmuth Portfolio" (from a copy given by Mr. Wright to the Library) as well as correspondence and notes relating to Mr. Wright given to the Library by Arthur C. Holden, Class of 1912, and William H. Short, Class of 1946.

    For particulars regarding the exhibition see: Stephen Ferguson, comp. Architecture 1450-1950. [Catalogue of the exhibition held in the Princeton University Library, 17 January -7 April 1985.] Princeton, 1985 [(ExB) 0639.739 no. 47]. [full text]. Also see: Constance Greiff, Princeton Architecture. (Princeton, N.J.: Princeton University Press, 1967) [(ExB) NA735.P7 G7]. Some items illustrated and some materials on which this book is based are found in the Princeton University Library and Archives.

Research Tools for Printed Material (Books, Maps, Prints, etc.)

Atlases and Maps

  • Philippe Vandermaelen: Atlas Universel (1827)

    In March 2009, with substantial funds provided by the Friends of the Princeton University Library, supplemented with money from Rare Books, the Historic Maps Collection acquired a copy of Belgian cartographer Philippe Vandermaelen’s Atlas universel, consisting of approximately 380 conically projected sheets of maps and 40 pages of statistical tables in six volumes. This folio-size atlas is remarkable for several reasons. It is the first atlas produced by the then new printing process of lithography. It is also the first atlas to show the whole world in maps using a large uniform scale—about 26 miles to the inch. Moreover, the maps are designed to be joined into a three-dimensional terrestrial globe with a diameter of approximately 7.75 meters (almost 25 feet). The library's Digital Studio joined in our project to digitize the sheets so that they could be made available, in high resolution, over the web. In addition, because of the projection of the maps, we felt that stitching the continental maps together and wrapping their "skin" over a generic globe would provide a unique viewing experience--creating a virtual 3D version of Vandermaelen's physical globe. This was achieved by the library's GIS librarian, with some help from the university's Media Center.

  • Rare Books

    See entrys in thie guide for the following:

    ENGLISH BOOKS, EARLY PRINTED, 1475-1700
    ENGLISH BOOKS -- The Princeton One Hundred Great English Books
    ENGLISH CIVILIZATION OF THE LATTER SEVENTEENTH CENTURY
    ENGLISH LITERATURE AND HISTORY -- EIGHTEENTH CENTURY
    ENGLISH LITERATURE OF THE NINETEENTH CENTURY See: VICTORIAN POETS, VICTORIAN NOVELISTS as well as many relevant author entries in this Guide
    ENGLISH LITERATURE OF THE 1890'S
    ENGLISH LITERATURE OF THE TWENTIETH CENTURY See: EDWARDIAN NOVELS, BEACH, SYLVIA (1887-1962), and many relevant author entries in this Guide

  • Public Policy

    Dwight D. Eisenhower Administration Photographs

    George W. Ball Papers

    John Foster Dulles Papers

    Chalmers Benedict Wood Papers

    Development and Resources Corporation 

    William E. Colby Papers

    George McGovern Papers

    William P. Bundy Papers

    Arthur F. Rall Papers

  • Todd Collection of Photographically Extra-Illustrated Tauchnitz Editions, 1750-1985

    TEXT

  • Miscellaneous Screenplays

    The collection consists of miscellaneous screenplays and related materials, such as continuity, superimposed versions (i.e. script translations), release dialogue scripts, and revisions/drafts. There are also a few information packets--these include interviews with and/or biographies of stars, synopses, and various and sundry other materials meant for release. Studios represented include 20th Century Fox, United Artists, Warner Brothers, MGM, Universal Studios, Paramount Pictures, Columbia Pictures, and Walt Disney. Film titles of note include "Barbarella," "Buck Rogers," "Butch Cassidy and the Sundance Kid," "Casablanca," "Chinatown," "Cinderella," "Citizen Kane," "A Clockwork Orange," "Doctor Zhivago," "Flashdance," "Goldfinger," "Superman," "Taming of the Shrew," "The Ten Commandments," "2001: A Space Odyssey, and "Wait Until Dark."

  • Zelda Fitzgerald Papers

    The collection consists of manuscripts, correspondence, miscellaneous notes andrelated material, documents, pictures, clippings, and photographs of ZeldaFitzgerald. Included are the typescript, set for printer, of Save Me the Waltz (New York: Charles Scribner's Sons,1932), manuscripts (mostly typescripts) of short stories, articles, and her play Scandalabra , and tear sheets of some of herpublished articles and stories: "Big Top," "Caesar's Things," "Choreography ofan Idea," "Janno and Jacob," "Other Names for Roses," "Show Mr. and Mrs. F. toNumber...," and "Unembellished." Also present is a portrait drawing by Zelda ofher husband, F. Scott Fitzgerald, and several other drawings. There are lettersto her daughter, Frances Scott Fitzgerald (married name, Scottie FitzgeraldSmith), correspondence with other people, such as Ludlow Fowler, Charles Kalman,Margaret Turnbull, George Nathan, and others, and correspondence between variousfamily members. Correspondence between Zelda and F. Scott Fitzgerald is gatheredin his Papers (C0187). Additions to her papers consist of a family scrapbook of photographs, clippingsand memorabilia, dating from Zelda's childhood to 1927, and an album, compiledby Eleanor Lanahan in 1997, entitled Zelda by Herself, The Art of Zelda Sayre Fitzgerald , which contains a 45-page catalogand 235 color slides of all of the known art works of Zelda Fitzgerald and theirvarious locations. A later addition includes a jacket worn by Zelda, aphotograph of Zelda, Lane Montgomery's notes about Zelda from her writings, andher correspondence with Scottie Fitzgerald Smith (daughter of Zelda and F. ScottFitzgerald) and others about Zelda and William Luce's play Zelda (1984) in which Ms. Montgomery collaborated and performed.

  • Zelda Fitzgerald Papers

    The collection consists of manuscripts, correspondence, miscellaneous notes andrelated material, documents, pictures, clippings, and photographs of ZeldaFitzgerald. Included are the typescript, set for printer, of Save Me the Waltz (New York: Charles Scribner's Sons,1932), manuscripts (mostly typescripts) of short stories, articles, and her play Scandalabra , and tear sheets of some of herpublished articles and stories: "Big Top," "Caesar's Things," "Choreography ofan Idea," "Janno and Jacob," "Other Names for Roses," "Show Mr. and Mrs. F. toNumber...," and "Unembellished." Also present is a portrait drawing by Zelda ofher husband, F. Scott Fitzgerald, and several other drawings. There are lettersto her daughter, Frances Scott Fitzgerald (married name, Scottie FitzgeraldSmith), correspondence with other people, such as Ludlow Fowler, Charles Kalman,Margaret Turnbull, George Nathan, and others, and correspondence between variousfamily members. Correspondence between Zelda and F. Scott Fitzgerald is gatheredin his Papers (C0187). Additions to her papers consist of a family scrapbook of photographs, clippingsand memorabilia, dating from Zelda's childhood to 1927, and an album, compiledby Eleanor Lanahan in 1997, entitled Zelda by Herself, The Art of Zelda Sayre Fitzgerald , which contains a 45-page catalogand 235 color slides of all of the known art works of Zelda Fitzgerald and theirvarious locations. A later addition includes a jacket worn by Zelda, aphotograph of Zelda, Lane Montgomery's notes about Zelda from her writings, andher correspondence with Scottie Fitzgerald Smith (daughter of Zelda and F. ScottFitzgerald) and others about Zelda and William Luce's play Zelda (1984) in which Ms. Montgomery collaborated and performed.

  • William Michael Rossetti Collection

    The collection consists primarily of original letters and manuscripts of WilliamMichael Rossetti, one of the Pre-Raphaelite "brothers." Rossetti'scorrespondents include Charles Aldrich, William M. Colles, E. H. Leggatt,Everard Meynell, David M. Main, Frederick Locker, Ford Madox Ford, TheodoreWatts-Dunton, Walter Severn, Octavia Susman, and others. The manuscripts includean introduction to Miscellaneous Essays, Sketches, and Reviews, a volume of William Makepeace Thackeray's works; two undatedessays attributed to Rossetti entitled "Flowers in Ancient Egypt" and "TheGardens of Ancient Egypt;" a prefatory note to Charles Dicken's Pictures from Italy; and a biographical sketch ofFord Madox Brown. Also present are three photographs of Rossetti and familymembers, and a small selection of miscellanea, including an article on Italianhistory and the politics of the Papacy by Rossetti's father, GabrieleRossetti.The following standard abbreviations, or their variations, are used to identifymaterials in this collection: ALS = autograph letter signed, ACS = autographcard signed, ANS = autograph note signed, AMs = autograph manuscript, and TMs =typed manuscript.

  • William Francis Magie Papers

    The collection consists of miscellaneous papers of Magie: records and reportcards from the College of New Jersey (now Princeton University), school recordsfrom Friedrich-Wilhelms-Universität in Berlin, manuscripts of some of hisaddresses, a manuscript of the "Account of the process of making the Ph.D. atBerlin, 1885," and selected correspondence. The records from the College of NewJersey include an entrance exam schedule, Magie's letter of admission (1875),and his award certificate (1878) for the Dickinson Prize. There are sixautograph (and one typewritten) addresses on various scientific topics given atconferences and club meetings. The records from Friedrich-Wilhelms-UniversitätBerlin include a registration form, a student ID card, a receipt, a studentmanual (1882), three lists of classes, a record of courses taken, his Ph.D.degree (1884), and a printed copy of his dissertation (1885). The correspondenceincludes three letters (1882) to Magie's mother and father from Princeton, and aletter and two photographs from Frederick S. Osborne to Edward Steese, datedJuly 2, 1945, regarding the Magie grave tablet. In addition, there is shortdocument about physics signed by Hermann von Helmholtz, Magie's German mentor.

  • William Francis Magie Papers

    The collection consists of miscellaneous papers of Magie: records and reportcards from the College of New Jersey (now Princeton University), school recordsfrom Friedrich-Wilhelms-Universität in Berlin, manuscripts of some of hisaddresses, a manuscript of the "Account of the process of making the Ph.D. atBerlin, 1885," and selected correspondence. The records from the College of NewJersey include an entrance exam schedule, Magie's letter of admission (1875),and his award certificate (1878) for the Dickinson Prize. There are sixautograph (and one typewritten) addresses on various scientific topics given atconferences and club meetings. The records from Friedrich-Wilhelms-UniversitätBerlin include a registration form, a student ID card, a receipt, a studentmanual (1882), three lists of classes, a record of courses taken, his Ph.D.degree (1884), and a printed copy of his dissertation (1885). The correspondenceincludes three letters (1882) to Magie's mother and father from Princeton, and aletter and two photographs from Frederick S. Osborne to Edward Steese, datedJuly 2, 1945, regarding the Magie grave tablet. In addition, there is shortdocument about physics signed by Hermann von Helmholtz, Magie's German mentor.

Pages